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Afro-Romance Institute Conference

April 17-18, 2026

Borders, Belonging, and the African Diaspora

Borders, Belonging, and the African Diaspora, organized by the Afro-Romance Institute, is an interdisciplinary conference that examines the complex relationships between borders, identity, migration, and belonging across African and Afro-Romance diasporic communities. Bringing together scholars, artists, and activists, the conference explores Afro-diasporic identities and migration, race and citizenship, memory and trauma, and the role of archives in shaping collective histories. Through engagements with Afro-feminist and decolonial thought, as well as language, hybridity, and performance, the event fosters critical dialogue on how diasporic communities navigate, challenge, and reimagine boundaries in contemporary and historical contexts.

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Accommodations and Parking

Rooms for conference participants are reserved at Hilton Garden Inn Columbia.

On-campus parking for conference participants is available in the Hitt Street Parking Structure.

Select your room See parking map

5-7 p.m. | Friday, April 17

Keynote Speaker

Dr. Mayra Santos-Febres

"Fractal Afro-poetics: epistemological considerations"

This perspective departs from a historical framework that recognizes more than four centuries of independent maroon Afro-diasporic cultures throughout the Caribbean and Latin America, cultures that created parallel African societies on the margins of European colonization and slavery. At the same time, it invites a reconsideration of two centuries of literary production within Afro–Latin American and Afro–Caribbean literatures.

From this historical panorama, how should we read this literary canon?

I propose approaching it through a supranational, maroon perspective that moves beyond the fragmented national frameworks through which Afro-centered literatures have often been interpreted. Such a reading places these texts in dialogue with contemporary African literatures while emphasizing the fractal nature of our literary and critical understanding of Afro-diasporic cultural and literary production.

Mayra

Conference Program

Friday, April 17, 2026

TimeTilePanel DescriptionLocation
8:30-8:55amBreakfast N201AB Memorial Union
9-9:30amOpening Remarks  

Memorial Union North

Room: N201 AB

10-11:40am

Panel 1: Trauma, Colonial Legacies, and Epistemic Resistance

  • Joel Gabriel Ngameleu Ngameni (Washington University in St. Louis) – “Corps mutilé, trauma et réparation impossible: l'exemple de Génocidé de Severin Rurangwa”
  • Samuel Nsoh Afanabah (University of Iowa) – “Colonial legacy of dirty care and post-traumatic growth in Rwanda: Murambi: The Book of Bones"
  • Moussa Seck (University of Tennessee-Knoxville) “Le retour de l’immigrant au Sénégal.
  • Daouda Njipendi Mounyiche (University of Alabama) – “Écriture féminine migrante: entre subjectivité narrative et érotisation langagière”

Moderator: Daniel Sipe

Genocide narratives, colonial afterlives, and migratory returns converge to expose the fragility of repair and the persistence of historical violence. Mutilated bodies and compromised systems of care reveal trauma as both intimate wound and structural inheritance, while the return to the homeland complicates ideas of belonging and reintegration. Migrant feminine writing further reconfigures subjectivity through narrative self-fashioning and linguistic sensuality, positioning literature as a space where loss, desire, and survival are renegotiated. 

Memorial Union North

Room: N214A

10-11:40am

Panel 2: Exile, Migration, and Fractured Belongings

  • Nelson Souopgoui Kamkuimo (University of Missouri–Columbia) – “‘Enfin prêt à décloisonner mes univers’: exil, mémoire et fractures du passé”
  • Yvonne-Marie Mokam (Denison University) – “Frontières de l’hospitalité : non-appartenance et reconfiguration du chez-soi”
  • Ibrahim Adissa Owoo (University of Missouri–Columbia) – “Afro-Diasporic Identity and Migration: The Reconfiguration of Home in Behold the Dreamers”
  • Elvira Aballí Morell (Princeton University) – “Sara Gómez and Afro-Cuban Feminist Film

Moderator: Valerie Kaussen 

Exile, migration, and inherited histories unsettle fixed notions of belonging across African and Afro-diasporic contexts. Literary representations of fractured memory, constrained hospitality, enslaved women’s resistance, and diasporic reinvention reveal home as a contested and continually reconfigured space. Across temporal and geographic dislocations, identity emerges through acts of remembrance, survival, and imaginative liberation. 

Memorial Union North

Room: N214B

10-11:40am

Panel 3: Gendered Voices, Feminist Resistance, and Counter-Archives

  • Mar Soria Lopez (University of Missouri) –“Sentir la raza: Geografías emocionales en No es país para negras de Silvia Albert Sopale”
  • Nicole Denise Price (Northern Arizona University) – “Poesía escrita con rabia y dolor – Tragedias y laberintos de Juan Riochí Siafá”
  • Gildas Douanla Kembou (University of Alabama) – “Identidad y espacio: ¿pertenecer en contexto migratorio?”
  • Margarita Losada (Southern University) – “Ruptura de la adyacencia y ausencia de la significación fálica en Carlos Aguilera”

Moderator: Iva Youkilis

Race, rage, migration, and symbolic rupture shape contemporary African and Afro-diasporic cultural production. Emotional geographies map the lived experience of Blackness, while poetry forged in pain transforms anger into aesthetic defiance. Questions of spatial belonging intersect with critiques of phallocentric meaning, revealing identity as fractured, negotiated, and resistant within racialized and migratory landscapes. 

Memorial Union North

Room: N214C

10-11:40am

Panel 4: Afro-Diasporic Resistance, Marronage, and Cultural Memory

  • Darrelstan Ferguson (Coastal Carolina University) – “Weaponisation of Marronage/Fugitivity in Afro-Cuban Theatre”
  • Juan A. De Urda (SUNY Fredonia) – “Anguita Francisco Zamora: Resistencia y empatía"
  • Frances Jaeger (Northern Illinois University) – “Reimaginar diásporas en Memorias de Boca Town”
  • Victor R. Wilburn (Southeast Missouri State University) – “Exploring Family Violence with African American Communities”

Moderator: Celia Keyser

Marronage and fugitivity function as enduring frameworks for Afro-diasporic resistance and collective survival. Theatre, narrative, and social analysis illuminate flight, empathy, diasporic reimagining, and responses to intra-community violence as strategies of resilience. Marronage appears not merely as historical practice but as a living cultural and political grammar for confronting oppression and sustaining memory. 

Memorial Union North

Room: N214DE

10-11:40am

Panel 5: Voices in Between: Language, Politics, and Hybrid Identities

  • Yordanka Guilarte (Temple University) – “Lo que Cuba no archiva”
  • Yoiseth Patricia Cabarcas Morales (Universidad Tecnológica de Pereira) – “Contrarchivo y doloridad”
  • Yesenia Escobar Espitia (Temple University) – “La poética de lo afecto-ancestral”

Moderator: Yesenis Escobar Espitia

Language operates simultaneously as instrument of authority and site of negotiation across varied geopolitical contexts. Legislative discourse, digital code-switching, global linguistic flows, and literary constructions of paradoxical hybridity expose the tensions embedded in “permitted” identities. Hybridity emerges as a dynamic arena where political power, cultural expression, and self-definition converge and collide. 

Memorial Union North

Room: N201C

12-1pmLunch (On Your Own)  
1:30-3:10pm

Panel 6: Literature, Borders, and the Politics of Narrative Belonging

  • Esther Teixeira (Texas Christian University) – “The Marvelous Real in Mário de Andrade’s Macunaíma”
  • Fatihat Adebolanle Awodirepo (University of Alabama) – “Diasporic Displacement and the Politics of Belonging”
  • Medinat Oyedele (University of Missouri–Columbia) – “Skin as Archive: African Tribal Marks and Contemporary Tattooing as Identity Practices.”
  • Lorena Pina Palacio (Truman State University) – “La estirpe del polvo de Jonás Sánchez Paulino”

Moderator: Guadalupe Anzaldo Pérez

Geographic, cultural, and symbolic borders structure literary negotiations of belonging across Lusophone, Francophone, and diasporic traditions. Displacement and unsettled identities reveal tensions between rootedness and mobility, while aesthetic strategies such as the marvelous real and diasporic narration reconfigure narrative space. Storytelling itself becomes a means of redefining nation, community, and affiliation across fractured terrains. 

Memorial Union North

Room: N214A

1:30-3:10pm

Panel 7: Education, Community, and Applied Afro-Diasporic Studies

  • Gonzalo Baptista (Morgan State University) – “Teaching the Global Black Hispanophone”
  • Dawn F. Stinchcomb (Purdue University) – “Developing a Pedagogy for Second-Language Learners”
  • Sheila Long (Southeast Missouri State University) – “African American Males' Sense of Belonging”
  • Mary Gyamfi. University of Missouri-Columbia – “From Kumasi to the Hispanic world: Identity, Culture and Second Language Learning”.

Moderator: Carla Cornette

Educational spaces serve as laboratories for Afro-diasporic identity formation and cultural negotiation. Pedagogies of the Global Black Hispanophone, second-language acquisition, and student belonging demonstrate how theory and practice intersect in institutional contexts. Classrooms become transformative sites where identities are affirmed, contested, and mobilized within local and global frameworks. 

Memorial Union North

Room: N214B

1:30-3:10pm

Panel 8: Fronteras y Desterritorializaciones: África Global

  • Eduardo López (Washington University in St. Louis) – “Reafricanización del flamenco”
  • Ekua Inkoom Mbrah (Washington University in St. Louis) – “De/Re-territorializar África”
  • Gicela Medina (Washington University in St. Louis) – “Narrativas Afro-Latinx del retorno”
  • Jeanne Rosine Abomo Edou (Washington University in St. Louis) – “Cultura popular y reinvención de África”

Moderator: Jeanne Rosine Abomo

Processes of deterritorialization and reterritorialization reshape Africa and its diasporas within global circuits. Cultural practices, return narratives, popular culture, and transatlantic artistic forms reimagine Africa as mobile, reclaimed, and continually evolving. Identity emerges through reinvention and movement, challenging fixed geographies and reconfiguring Africa’s global presence. 

Memorial Union North

Room: N214C

1:30-3:10pm

Panel 9: Voices in Between: Language, Politics, and Hybrid Identities

  • Sebastián Orlando Fonseca Merino (Universidad Nacional Mayor de San Marcos) – “El precio de la identidad permitida en la política legislativa peruana”
  • Phil Geraldin Mpesse Atangana (University of Alabama) – “Alternance codique et fonctions pragmatiques dans les webseries au Cameroun”
  • Matteo Totime (University of Massachusetts Boston) – “Language, An Artery for Globalization”
  • Robinson Etienne (Washington University in St. Louis) – “L’hybridité oxymorique dans Atala de Chateaubriand”

Moderator: Charlotte Blair

Counter-archival practices foreground what remains unrecorded, silenced, or affectively inscribed beyond official history. Concepts such as doloridad and ancestral memory illuminate alternative repositories grounded in pain, relationality, and embodied remembrance. Literature and cultural production thus enact historical reclamation through affective and epistemic resistance. 

Memorial Union North

Room: N214DE

1:30-3:10-pm

Panel 10: Colonial Knowledge, Mobility, and Afro-Diasporic Cultural Formations

  • Marcel Jaentshke Gómez (University of Missouri) – “Sentiment, Natural History and Royalism in Colonial Mosquitia: The Letters of Miskitu King George II to the editors of London Monthly Magazine (ca. 1798)”
  • Georgette McGlashen-Miller (African Caribbean Institute of Jamaica) “Dancehall Kyaahn Stall Nor Quarantine: Portability and Adaptability in Jamaican Dancehall Culture”
  • Chelsea Stephenson (African Caribbean Institute of Jamaica) “Colonization in Reverse”: How the Windrush Generation Rebuilt Post-War Britain”
  • Corinne Silvestre (University of Missouri) Mysticism, Creole Writing, and Colonial Memory in Francophone Caribbean Literature Focusing on works such as Makandal, Moi, Tituba, sorcière de Salem, Eau de Café, and La Princesse et la Grenouille

Moderator: Worlali Wormenor

Colonial knowledge systems and transnational mobility have profoundly shaped Afro-diasporic identities. From eighteenth-century correspondence to Caribbean mysticism, postwar migration, and contemporary performance culture, movement reconfigures political belonging and artistic expression. The circulation of bodies, ideas, and forms reveals cultural production as a dynamic response to colonial power and historical memory. 

Memorial Union North

Room: N201C

3:20-4:40pm

Documentary Screening 

Juanamaria Cordones Cook: Eugenio Hernández Espinosa y su teatro negro / and his Black Theater

Moderator: Elvira Aballí Morell

Eugenio Hernández Espinosa y su teatro negro/Eugenio Hernández Espinosa and His Black Theater (Havana, 2023, 57 minutes, English subtitles)

Production and direction: Juanamaría Cordones-Cook

Filmed between 2012 and 2022, this documentary traces the personal and artistic journey of Eugenio Hernández Espinosa (Havana, 1936–2022), one of the most important Afro-Hispanic playwrights of the twentieth century and the founder and director of the Caribbean Theater Group in Havana. With a prolific and diverse body of work, Hernández Espinosa authored dozens of plays performed by major theater companies in Cuba and adapted for film and television. Rooted in the lived realities of Afro-Cuban communities, his theater explores the struggles, spiritual traditions, and everyday expressions of Afro-Cuban popular culture. Drawing on the island’s rich syncretic heritage, his plays are marked by vibrant colloquial language and powerful portrayals of cultural resistance and identity. Through archival materials, interviews, and performance excerpts from his most important works, the film brings Hernández Espinosa’s dramatic universe to life. The documentary is further enriched by reflections from leading Cuban intellectuals and artists, including Rogelio Martínez Furé, Jorge Perugorría, Vivian Martínez Tabares, Nancy Morejón, Alberto Curbelo, Fátima Patterson, Inés María Martiatu Terry, Francisco López Sacha, and Monse Duany, among others.

Memorial Union North

Room: N214AB

5-7pm

Keynote Address & Banquet Dinner

Speaker: Mayra Santos-Febres (University of Puerto Rico, Río Piedras)

Moderator: Mamadou Badiane

 

Memorial Union North

Room: N201AB

Saturday, April 18, 2026

TimeTitlePanel DescriptionLocation
8:30-8:55amBreakfast Leadership Lounge, MU Student Center
9-11:30am

Round Table: Afro-Diasporic Thought Across Borders

  • Jerome Branche (University of Pittsburgh)
  • Darío Henao Restrepo (Universidad del Valle, Colombia)
  • William Luis (Vanderbilt University)
  • Mbare Ngom (Morgan State University)

Moderator: Joseph Otabela

 

Student Center

Room: Leadership Auditorium

11:40am-12:50pmLunch (On Your Own)  
1-2:40pm

Panel 11: Identity, Power, and Belonging

  • Esperanza Hillary Seyram (Texas A&M University) – “The Challenge of Sustaining Indigenous Language Identity in Equatorial Guinea”
  • Nacer Khelouz (University of Missouri–Kansas City) – “Algérie et la tentation sécessionniste (MAK)”
  • Willie Mack (University of Missouri–Columbia) – “Sojourners of Color in NYC (1965–1980)”
  • Roberta Tabanelli (University of Missouri–Columbia) – “The Coloniality of Migration in Io capitano”

Moderator: Michelle Cabarcas

Postcolonial and diasporic identities unfold within contested terrains of power and recognition. Indigenous language preservation, separatist politics, racialized urban experience, and the coloniality of migration expose the structural forces shaping collective and individual subjectivities. Sovereignty and belonging remain negotiated processes within historically stratified spaces. 

Student Center

Room: 2205 A & B 

1-2:40pm

Panel 12: Sound, Performance, and Decolonial Aesthetics

  • Omotayo Jemiluyi (University of Missouri–Columbia) – “Afrosonic Decoloniality: Fela Kuti’s Wàhálà Afrobeat”
  • Jessie J. Dixon (Illinois Wesleyan University) – “Sankofa in the African Diaspora”
  • Sheridan Wigginton (California Lutheran University) – “Lutherans in Limón”
  • Fateme Goudarzi (University of Missouri–Columbia) – "The Knotted Cord in Rosalie l’Infâme: Memory of Enslaved Women’s Resistance and a Support for Lisette’s Liberating Imagination." 

Moderator: Caroline Dede-Nartey

Sound, performance, and visual culture articulate decolonial aesthetics across African and Afro-diasporic contexts. Afrobeat, Sankofa memory practices, religious and communal formations, and Afro-Cuban feminist cinema reclaim history while challenging colonial epistemologies. Artistic expression becomes a medium for imagining alternative futures grounded in Black experience and resistance. 

Student Center

Room: 2206 A

1-2:40pm

Panel 13: Nuevo Eje del Hispanismo Afro-Africano

  • Alain Lawo-Sukam (Texas A&M University) – “Historia de una travesía en las letras españolas”
  • Alexa Hurtado Montaño (Texas A&M University) – “Jean-Joseph Rabearivelo y el suicidio colonial”
  • Yuleidys Rojas García (Texas A&M University) – “La economía del viaje al Norte Global”
  • Carelle Matawe (Texas A&M University) – “Sankofa: retorno, descolonización y regeneración”

Moderator: Alain Lawo-Sukam

An Afro-African axis within Hispanism foregrounds transatlantic crossings, colonial rupture, and decolonial return in Spanish-language cultural production. Intellectual itineraries, migration toward the Global North, and the philosophy of Sankofa reorient Hispanism beyond Eurocentric canons. Black transnational histories and epistemic renewal redefine the field through Afro-African perspectives. 

Student Center 

Room: 2206 B & C

3-4:30pm

Documentary Screening 

  • Manuel Zapata Olivella
  • Darío Henao Restrepo (Universidad del Valle)

Moderator: William Luis

Manuel Zapata Olivella

This documentary feature explores the life and intellectual legacy of the Colombian writer, anthropologist, and cultural activist Manuel Zapata Olivella, one of the most influential voices in Afro-Colombian cultural history. Through his travels, writings, and encounters with artists and intellectuals across the Americas and beyond, the film traces Zapata Olivella’s lifelong effort to understand the shared histories and cultural expressions of African-descended peoples. At the center of his thought lies a powerful idea: that resistance, solidarity, and cultural creativity within the African diaspora emerged from the traumatic experience of the transatlantic slave trade. Even amid violence and displacement, Africans preserved languages, spiritual traditions, and artistic forms that would reshape the cultural landscapes of the Americas. Driven by deep curiosity and commitment, Zapata Olivella traveled widely—often under difficult conditions—seeking dialogue with communities, musicians, writers, and activists whose lives embodied these histories. His journeys were less about observation than about listening, learning, and building connections across diasporic worlds. In pursuing this mission, he frequently placed his intellectual and political commitments above personal life, convinced that the long-term significance of his work would eventually be recognized. Through archival materials, testimonies, and cultural reflections, this film presents Zapata Olivella’s life as a gateway into the broader Afro-descendant universe of Colombia and the Americas.

Student Center

Room: Leadership Auditorium